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DANCE – News – Memoirs of Blacks in Ballet

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LETTER FROM THE EDITOR

The June 2015 Dance USA conference in Miami was serendipitous for many reasons. It was there I announced MoBBallet and met Bahia Ramos of the Knight Foundation, who on that very day decided to fund us. I met International Association of Blacks in Dance and Dance USA’s executive directors Denise Saunders Thompson and Amy Fitterer (in person). Later we went on to organize the first audition for female ballet dancers of color that took place that January. It was after my breakout session that I had the great fortunate to meet Ellen Walker, the Executive Director of Pacific Northwest Ballet.

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Beyond Ballet; A Town Hall (video)
Pacific Northwest Ballet (PNB) hosts Beyond Ballet, a conversation which investigates aesthetics, diversity, equity, and the efforts to redesign arts institutions. This forum is an open study group for organizations participating in the Seattle Office of Arts & Culture Racial Equity Learning Cohorts, part of the , the City’s commitment to eliminate racial disparities and achieve racial equity in Seattle. Panelists include Peter Boal, Artistic Director of PNB; Donald Byrd, Artistic Director of Spectrum Dance Theater; Erica Edwards,  former Joffrey Ballet dancer, Director of Community Engagement at The Joffrey Ballet; Kiyon Gaines, former PNB soloist and PNB School faculty member; and Andrea Long-Naidu, Former principal dancer with at Dance Theatre of Harlem and CityDance Conservatory ballet instructor . The event is moderated by Theresa Ruth Howard, founder and curator of MOBB.
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Giving “Hiplet” Serious Side Eye
Hiplet is sweeping the nation. Between TedX, Refinery29, Desigual campaigns, Anna Wintour’s #madeforher fundraiser and the plethora of morning show spots, the hybrid dance craze—known for its sassy runway-style walks on pointe and crab-like bent-knee jazzy chassés—has gone viral.
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Michalea DePrince is now the face of Jockey.
Dutch National Ballet’s newest soloist Michalea DePrince is now the face of Jockey. In this inspirational and uplifting new spot, DePrince not only shares her origin story but illustrates just how to turn a “flaw” into a signature. There are so many things that are refreshing about this ad, starting with the way it is shot. It is not sleek and glossy rather like most spokesmodel ads, it is natural in lighting and feel. Michaela is not overly styled, she is not a glossy, buffed and shined, photoshopped version of herself rather she looks like… her and she is beautiful. 
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A Continuing Inspiration…

Ms. Johnson was to Ballet what Maria Callas was to Opera..she was not only a wonderful dancer but an incredible actress. Her performance in the mad scene in Giselle,  her Blanche in Streetcar Named Desire and Lizzie Borden were electrifying! Here is a small taste *the final clip she dances with Lowell Smith

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At Random: 303 Stories and Counting.
Sandra Organ was Houston Ballet’s first African American ballerina, dancing there for 15 years (1982-97) and as a soloist under Ben Stevenson and Rehearsal Director for Christopher Bruce. She then founded her own contemporary ballet ensemble, Earthen Vessels, The Sandra Organ Dance Company (EVSODC) for which she created over 100 ballets and employed more than 120 dancers over sixteen seasons of programming in theatres and sacred spaces.
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Made Possible by The Knight Foundation
MoBBallet is made possible by…
A national foundation with strong local roots, the Knight Foundation invests in journalism, the arts, and in the success of cities where brothers John S. and James L. Knight once published newspapers. Our goal is to foster informed and engaged communities, which we believe are essential for a healthy democracy.
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Only As Strong As Our Stories…
MoBBallet.org

May 17, 2017 Posted by | #dance, avant-garde, CULTURE, Dance, ENTREPRENEURS, LIFESTYLES, opportunity, Uncategorized | , , | Leave a comment

Dance – DANCER AND EDUCATOR THERESA RUTH HOWARD LAUNCHES MOBBALLET: A DIGITAL ARCHIVE PRESERVING THE LEGACY OF BLACK BALLET

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MoBBallet’s Roll Call is a list of professional black ballet dancers that today features 301 names and is growing as black ballet artists submit their names. The site also houses an E–Zine that features insights on issues affecting both the ballet world and society such as diversity and inclusion –and a timeline that spans the history of black ballet from 1919 to present day.

 

DANCER AND EDUCATOR THERESA RUTH HOWARD LAUNCHES MOBBALLET: A DIGITAL ARCHIVE PRESERVING THE LEGACY OF BLACK BALLET

Initiative Creates a Shift in Perspective on the Current Conversation around Diversity in Ballet through Stories of Current and Past Black Professional Ballet Dancers

Dancer Theresa Ruth Howard announces the launch of Memoirs of Blacks in Ballet (MoBBallet), a groundbreaking legacy project documenting and transforming conversations around black ballet artists. The initiative will focus on bringing visibility to the lesser-known history of black ballet dancers around the world through video profiles, essays and archival data which capture the artistry and humanity of black ballet dancers. At launch, MoBBallet’s website houses a community sourced Roll Call which lists the names of black ballet dancers past and present, a digital timeline that places historical moments in black ballet history next to key events in world history, and an E-Zine that sheds light on issues affecting the ballet community and society at large.

 

The recipient of a $50,000 grant from the Knight Foundation, MoBBallet’s first anchor project, the Philadelphia Project, will document the stories of four Philadelphia trained black ballerinas— including Joan Myers Brown, founder of The Philadelphia Dance Company (PHILADANCO!), Delores Browne from the New York Negro Ballet Company and Judith Jamison, Artistic Director Emerita of the Alvin Ailey American Dance Theater.

Coinciding with the launch of MoBBallet, founder Theresa Ruth Howard will serve as keynote speaker at Dutch National Ballet’s Positioning Ballet conference on February 11th, where she will officially introduce MoBBallet’s mission to promote larger discussions within the international dance community around the stories of black ballet dancers. A select group of leading artistic directors from America, Europe, Asia and Russia have been invited to attend the conference.

“Diversity in Ballet in America is a very specific challenge given our racial history” remarks Howard. “The histories and demographics of each of the companies that will be represented during Positioning Ballet are just as specific. This is an unprecedented opportunity to see and hear what their issues are regarding diversity in the field.”

To date, MoBBallet has captured over 301 names to the Roll Call and calls for professional black ballet dancers not already on the list to add their names. MoBBallet’s archival information covers important moments in the history of black ballet from 1919 to present day.

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ABOUT MOBBALLET Memoirs of Blacks in Ballet (MoBBallet) is a non-profit organization that is building a digital archive where the history of blacks in professional ballet can be preserved. Founded by ballerina Theresa Ruth Howard, MoBBallet facilitates authentic dialogues on diversity, equality and aesthetics through workshops, panels and video profiles of both iconic and emerging black ballet dancers. The online archive provides timelines of important moments in the history of black ballet and juxtaposes them against key moments in world history. The Roll Call initiative is an ever-expanding list of black ballet dancers past and present –E-Zine brings visibility to issues that loom large in both the ballet world and society such as diversity and inclusion.
ABOUT THERESA RUTH HOWARD Founder of MoBBallet, Theresa Ruth Howard is an expert and advocate on the issue of diversity in Ballet. She has sat on panels for Dance/USA, Dance/NYC, Collegium for African Diaspora Dance at Duke University, and collaborated with International Association of Blacks in Dance in the planning and facilitation of the first Ballet Audition for female ballet dancers of color. A former member of the Dance Theater of Harlem, and Armitage Gone! Dance, Howard has worked extensively with choreographer Donald Byrd, and was a guest artist with Complexions Contemporary Ballet. As a contributor to Pointe, Expressions (Italy), Tanz (Germany) and dance media publications, Howard has emerged as a clear and defining voice on topics such as body image and race. She holds more than 17 years of experience as a dance educator including Ballet Faculty at the Ailey School.

February 21, 2017 Posted by | ART, avant-garde, BUSINESS, CULTURE, ENTREPRENEURS, TECHNOLOGY, Uncategorized, We Recommend | , , , , , , , , , , , , , , | Leave a comment

   

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