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New York’s Longest Running Series Presenting Exclusively

New Dances by Women Choreographers Making New Work On Pointe


 Norte Maar, a committed international think-tank dedicated to the creation, promotion, and presentation of collaborations in the disciplines of the visual, literary, and the performing arts, together with Brooklyn Ballet, present CounterPointe, April 7-9, 2017 in downtown Brooklyn’s The Actors Fund Arts Center. This annual curated performance series features new work by women choreographers for pointe. For this, its fifth anniversary season, 7 women choreographers have been paired with 7 female visual artists to collaborate and create both a new physical and visual work by each–investigating the process of creation, inspiration and development.


CounterPointe5 will present collaborations by series curator Julia K. Gleich (Gleich Dances) with artist Elana Herzog, konverjdans with artist Nancy Baker, Brandi Marsh with artist Emily Noelle Lambert, Lynn Parkerson (Brooklyn Ballet) with artist Cornelia Thomsen, Ursula Verduzco with artist Lizzie Scott, Margaret Wiss with artist Noël Hennelly, and Eryn Renee Young (XAOC Contemporary Ballet) with artist Leslie Kerby.


Inaugurated in 2012 CounterPointe is focused on the presentation of new works by women choreographers for the pointe shoe. The series has been celebrated for breaking new ground expanding the ballet concert vocabulary, investigating new and historic territory, encouraging discussion and creating a forum for women, young or old, emerging or established, to take artistic risks.


“CounterPointe has become the mainstay series featuring new work by women choreographers who continue to push the limits and tradition of ballet,” explains Julia Gleich, Co-Founder of Norte Maar and the originator CounterPointe.  “The series continues to be one of the only in New York City to feature new work by established and emerging women choreographers. The collaborative element, pairing each choreographer with an artist, brings an added inspiring layer to the series offering a fresh new look at the ballet idiom and furthering the collaborative spirit while normalizing the role of women as creative leaders.”


This program is supported, in part, by public funds from the New York City Department for Cultural Affairs in partnership with the City Council.




Friday, April 7 at 7:30 p.m.

Saturday, April 8 at 7:30 p.m.

Sunday, April 9 at 4:00 p.m.


Post-Performance discussion with the choreographers led by an invited guest will be held Saturday, April 8.



General admission tickets are $25, Students and seniors, $20. Tickets can be purchased at the door or online at



The Actors Fund Arts Center is located at 160 Schermerhorn Street in downtown Brooklyn and accessible by A, C, or G trains to Hoyt-Schermerhorn. 2, 3 to Hoyt Street. F, R to Jay St./Metrotech. 4, 5 to Borough Hall.




Pas de Deux|Premiere

Presenting company: Brooklyn Ballet

Choreographer: Lynn Parkerson

Visual artist: Cornelia Thomsen

Music: Jean-Phillippe Rameau

Piano: Julius Abrahams

Length: 9.5 minutes


Pas de Deux is a mixed-movement duet performed by a ballerina and a gliding hip-hop dancer. The piece explores intimate connections between the two bodies and the two dance vocabularies as well as virtuosity and bravura as implied in the dance’s title “Pas de Deux”. Artist Cornelia Thomsen provides the scenic backdrop, projecting a mélange of stripe paintings underlining the sharp contrast between the dancers but also bind the dancers to each other through stark but vibrant formalism.



Presenting company: Benjamin Briones Ballet

Choreographer: Ursula Verduzco

Visual artist: Lizzie Scott

Music: Philip Glass


Length: 7minutes


With fear as the driving force, Bi-Polaris d, responds to growing anxiety in uncertain times, and the effect is has on brain and behaviour. With tangible obstacles placed by Visual Artist Lizzie Scott, a new normalcy becomes like a new language- a constant visual struggle, and a palpable hope against falling prey to desperation.


Martha Edwards|Premiere

Presenting company: Gleich Dances

Choreographer: Julia K. Gleich

Visual artist: Elana Herzog

Music credit: Country Western selections


Old Western movies, remnants, and movement motifs from classic ballet death scenes merge in a collage combining feminine and masculine traits from classic characters, weaving the movement we expect to see in a ballet performance with ideas we hate to love.





About Norte Maar

Norte Maar for Collaborative Projects in the Arts is a 501(c)3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich with a mission to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each other.


About Brooklyn Ballet

Brooklyn Ballet is a professional, not-for-profit dance company dedicated to artistic excellence, education and serving Brooklyn’s diverse communities. The company was founded in February 2002 by Artistic Director Lynn Parkerson, the first of its kind in Brooklyn in more than 40 years. Brooklyn Ballet brings a contemporary vision to the treasured art form of ballet, with repertory and programs that revitalize and re-imagine the classical form. For more information:


About Julia K. Gleich

Julia K. Gleich, curator and choreographer, is a critically acclaimed choreographer, teacher, scholar interested in re-contextualizing ballet. Her company, Gleich Dancesperformed in the UK and US including seasons at The Broadway Theatre, Barking (Arts Council England-supported), NYC’s Joyce SoHo and Centre  for Performance Research with critical notice in The New York Times, Village Voice, The New Criterion and The Brooklyn Rail. She was commissioned to create a site-specific work for the opening of St. Pancras International Eurostar station in 2007. Collaboration is a key part of her creativity. In 2004 she co-founded with curator, Jason Andrew, Norte Maar for Collaborative Projects in the Arts ( in Brooklyn, NY, named by Jerry Saltz as “..the closest thing to the eighties East Village.” Her practice-based research on vectors and dance was published in the Dynamic Body in Space. Her conceptual dance films have been exhibited in NYC, and Singapore. She is an advocate for women in ballet, producing annual CounterPointe performances in NY and London and regularly mentors young choreographers. Ms. Gleich is Head of Choreography at London Studio Centre and technique faculty at Trinity Laban. Her training included: School of American Ballet, the Limón Institute and Cunningham Studio. She has been on faculties of several universities in the US and received the Distinguished Alumna Award 2014 from the University of Utah Fine Arts. She was External Examiner, Hong Kong Academy of Performing Arts, and Master teacher, Hikone Dance Intensive, Japan. In 2016 she was awarded a OneDanceUK Choreographer Observership through English National Ballet. She has presented papers on contemporary issues in ballet at SDHS and CORPS de Ballet International Conferences.




April 8, 2017 - Posted by | ART, avant-garde, BUSINESS, CULTURE, ENTREPRENEURS, Uncategorized, We Recommend | , , , , , , ,


  1. Hi,

    Great to get these posts.

    What’s the best email address for me to send info to be posted on LuckyGirl Media?

    Kind regards,



    Janis Kirshner ~Media Relations For Standing Ovations~

    Comment by Janis Kirshner | April 8, 2017 | Reply

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