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WORLD PREMIERE ENGAGEMENT ! We Recommend Ishmael Reed’s The Final Version Dec 12 – Jan 19 nyc NUYORICAN POET’S CAFE

Ishmael Reed’s The Final Version
Thu Dec 12, 2013 –  Jan 19, 2014 @ 7:00PM

The Nuyo presents the world premiere of acclaimed writer Ishmael Reed’s new play “The Final Version”.
The play follows Lee Ransom, a writer who struggles with tensions between Communist ideology and commercial success from the 1930s through the 1960s. Among the featured players are the incandescent Dawn Murphy and multi-hyphenate talent Rome Neal.

Ishmael Reed is the winner of the prestigious MacArthur Fellowship (genius award), the renowned L.A. Times Robert Kirsch Lifetime Achievement Award and the Lila Wallace-Reader’s Digest Award. He has been nominated for a Pulitzer and finalist for two National Book Awards and is Professor Emeritus at the University of California at Berkeley; and founder of the Before Columbus Foundation, which promotes multicultural American writing. The American Book Awards, sponsored by the foundation has been called The American League to the National Book Awards’ National League. He also founded PEN Oakland which issues the Josephine Miles Literary Awards. PEN Oakland has been called “The Blue Collar PEN” by The New York Times.

His latest set of essays, Going Too Far: Essays About America’s Nervous Breakdown (2012), concerns “Challenging a prevailing attitude. This account disputes the idea that racism is no longer a factor in American life. Based on cultural and literary evidence—including Mark Twain’s Huckleberry Finn—it argues that, in some ways, the United States very much resembles the country of the 1850s.”.

Ishmael Reed
Photo: Michael Simon

Ishmael Reed

Poet, essayist, and novelist Ishmael Reed was born in 1938 in Chattanooga, Tennessee. He was raised in Buffalo, New York, and attended the University of New York at Buffalo.

He is the author of several collections of poetry, including: New and Collected Poems 1964-2007 (Da Capo Press, 2007); New and Collected Poems (Atheneum, 1988); A Secretary to the Spirits (1978); Catechism of D Neoamerican HooDoo Church (1970); Chattanooga (1973); and Conjure (1972).

Reed has also written numerous novels, including: Japanese by Spring (1993); The Terrible Twos (1982); Flight to Canada (1976); The Last Days of Louisiana Red (1974); Yellow Back Radio Broke Down (1969); and The Free-Lance Pallbearers.

Among his plays are Mother Hubbard (1982) and The Ace Boons (1980). He is also the author of collections of essays: Airing Dirty Laundry (1993); Writin’ is Fightin’: Thirty-Seven Years of Boxing on Paper (1988); God Made Alaska for the Indians: Selected Essays (1982), and Shrovetide in Old New Orleans (1978).

Reed was a cofounder of Yardbird Publishing Co. in 1971 and also founded Reed, Cannon, and Johnson Communications in 1973. With Al Young, he co founded Quilt magazine. Reed has also edited a number of anthologies.

Among his honors and awards are the Richard and Hinda Rosenthal Foundation Award, a Guggenheim Foundation Award, the Lewis Michaux Award, an American Civil Liberties award, and fellowships from the National Endowment for the Arts, the American Civil Liberties Union, and the California Arts Council. Reed has lectured at numerous colleges and universities. He served as a lecturer at the University of California at Berkeley for thirty-five years. Ishmael Reed lives in Oakland, California.
Ishmael Reed’s poetry, prose and plays have been honored with fellowships from the MacArthur and Guggenheim Foundations and the National Endowment for the Arts; his work has also been nominated for the Pulitzer Prize and National Book Awards. Performances begin December 12 and run through January 19.
Admission: $25 at the door, $20 online, $18 discount for students and seniors at the door.


Novels (partial listing of first editions, including international editions and reprints)

Juice! Champaign and London: Dalkey Archive Press, 2011.
Japanese By Spring, New York: Atheneum, 1993.
– Japans in’n Jaar. Amsterdam: In de Knipscheer, 1995.
– Japanese By Spring. London: Alison & Busby, 1994.
The Terrible Threes. New York: Atheneum, 1989.
– Dalkey Archive Press paperback edition, 1999.
– The Terrible Threes. London: Alison & Busby, 1993.
– Los Fatales Tres. Barcelona: Grijalbro Mondadori, S.A., 1993.
The Terrible Twos. New York: Atheneum, 1982.
– Dalkey Archive Press paperback edition, 1999.
– Klaus en Claus. Amsterdam: In De Knipscheer, 1984.
– Die Weihnachtsmann Connection. Frankfurt am Main, Fischer Taschenbuch Verlag GmbH, 1993.
Reckless Eyeballing. New York: St. Martin’s Press, 1987.
– Dalkey Archive Press paperback edition, 2000.
– Reckless Eyeballing. London: Alison & Busby, 1989.
– Conremplacion Temeria. Barcelona/Mexico City: Modadori, 1991.
Flight To Canada. New York: Random House, 1976.
– Het Vluchtvirus. Amsterdam: In de Knipscheer, 1977.
The Last Days Of Louisiana Red. New York: Random House, 1974.
– Dalkey Archive Press paperback edition, 2000.
– Los Ultimos Dias de Louisiana Red. Barcelona: Modadori, 1991.
Mumbo Jumbo. Garden City, New York: Doubleday, 1972.
– Έditions De l’Olivier / Le Seuil, translation to French by Gérard H. Durand, 1975, 1998
– Scribner paperback edition, 1996.
– Atheneum paperback edition, 1988.
– London: Allison & Busby, 1988.
– Milano: Biblioteca Universale Rizzoli, 1981.
– Barcelona/Mexico/Buenos Aires: Grijalbo, 1972.
– Tokyo: Kokusho Kankokai Ltd.
Yellow-Back Radio Broke-Down. Garden City, New York: Doubleday, 1969.
– Dalkey Archive Press paperback edition, 2000.
– London: Alison & Busby, 1971
– Japan: Takaaki Iida, 1994.
The Free Lance Pallbearers. Garden City, NY: Doubleday, 1967.
– Dalkey Archive Press paperback edition, 1999.
– England: W.H. Allen, 1990.
– London: MacGibbon and Kee, 1968

Excepts from Novels-in-Progress “The Terrible Fours.” Science fiction that appeared in Coda magazine, 2001 “Making A Killing.” (Early version of a novel centered on O.J. Simpson, now titled and published as Juice!) Appeared in Artbyte magazine, 2001

  • New and Collected Poems, 1964-2006. New York: Carroll & Graf, 2006. (New and Collected Poems, 1964-2007. New York: Thunder’s Mouth. The 2007 paperback edition added 2 new poems.)
  • New & Collected Poems. New York: Atheneum, 1989.
  • Chattanooga. New York. New York: Random House, 1973.
  • Conjure: Selected Poems, 1963-1970. Amherst: University of Massachusetts Press, 1972.
  • A Secretary To The Spirits. Lagos, Nigeria: NOK Publishers, 1978.
  • catechism of d neoamerican hoodoo church. London: Paul Breman, 1969.

Essays and Other Non-Fiction

  • Bigger Than Boxing, forthcoming.
  • Going Too Far: Essays About America’s Nervous Breakdown. Montreal, Canada: Baraka Books, 2012.
  • Barack Obama and The Media Bullies, or The Return of the “Nigger Breakers” Montreal, Canada: Baraka Books, 2010.
  • Mixing It Up: Taking on the Media and other Reflections. New York: Da Capo Press, Perseus imprint, 2008.
  • Blues City, A Walk in Oakland. NY: Crown Journeys, Crown Publishers, 2003.
  • Another Day at the Front, Dispatches from the Race War. New York: Basic Books, A member of the Perseus Books Group, 2003.
  • Oakland Rhapsody, The Secret Soul Of An American Downtown. Introduction and Commentary by Ishmael Reed and photographs by Richard Nagler. Berkeley: North Atlantic Books, 1995.
  • Airing Dirty Laundry. New York: Addison-Wesley, 1993.
  • Writin’ Is Fightin’. New York, Atheneum, 1989.
  • God Made Alaska For The Indians. New York: Garland, 1982.
  • Shrovetide In Old New Orleans. Garden City: Doubleday, 1978.
  • Shrovetide In Old New Orleans. Atheneum paperback, 1989.


Cab Calloway Stands in for the Moon or The Hexorcism of Noxon D Awful. Flint, Michigan: Bamberger Books, 1986. First appeared in Amistad I, edited by John A. Williams and Charles Harris, in 1970.


The Final Version. Premiere December 2013 at the Nuyorican Poets Café.

Ishmael Reed, THE PLAYS. Champaign and London: Dalkey Archive Press, 2009.

A collection of six plays, as listed below with date of premiere performance:
Body Parts (October, 2007; as Tough Love, 2004)
C Above C Above High C (1997)
The Preacher and the Rapper (1995)
Hubba City (1989, 1994)
Savage Wilds (1988 Part I; 1990, Part II)
Mother Hubbard (1979; 1997 [musical version])

Libretto Gethsemane Park (originally commissioned by The San Francisco Opera, 1994). Premiered 1998 at Berkeley Black Repertory Theater Group.
Collected works The Reed Reader. New York: Basic Books, 2000. (Includes an introduction by Reed, excerpts from all of his novels, selected essays, selected published and unpublished poetry, and two plays: Hubba City and The Preacher and the Rapper)
Anthology Editor

POWWOW, Charting the Fault Lines in the American Experience-Short Fiction from Then to Now. Da Capo Press, 2009. Edited with Carla Blank.
From Totems to Hip-Hop: A Multicultural Anthology of Poetry Across the Americas, 1900-2001. Thunder’s Mouth Press, 2003.
MultiAmerica, Essays on Cultural Wars and Cultural Peace. New York: Viking, 1997.
General Editor, The HarperCollins Literary Mosaic Series:
Native American Literature, A Brief Introduction and Anthology, edited by Gerald Vizenor (1995)
Hispanic American Literature, A Brief Introduction and Anthology, edited by Nicolas Kanellos (1995)
Asian American Literature, A Brief Introduction and Anthology, edited by Shawn Wong (1996)
African American Literature, A Brief Introduction and Anthology, edited by Al Young (1996)
The Before Columbus Foundation Poetry Anthology, Selections from the American Book Awards, 1980-1990. Co-edited with Kathryn Trueblood and Shawn Wong. New York & London: W.W. Norton, 1991.
The Before Columbus Foundation Fiction Anthology, Selections from the American Book Awards, 1980-1990. Co-Edited with Kathryn Trueblood and Shawn Wong. New York & London: W.W. Norton, 1991.
Califia: The California Poetry, General Editor. Berkeley: Y’bird Books,1978.
Yardbird Lives!, Co-Edited with Al Young. New York: Grove Press, 1978.
19 Necromancers From Now. Garden City: Doubleday, 1970.
The Rise, Fall, And . . . ? of Adam Clayton Powell. New York: Bee-Line Books, 1967.

Selected Contributions to anthologies

  • Mount, Jane and Thessaly La Force. My Ideal Bookshelf. NY: Little, Brown and Company, 2012.
  • “Sweet Pea,” a poem, in French translation. l’art du jazz Paris, France: Éditions du Félin, 2011.
  • “Mark Twain’s Hairball (1884)” in A New Literary History of America, edited by Greil Marcus and Wernor Sollors. Cambridge, Massachusetts and London: The Belknap Press of Harvard University Press, 2009.
  • “Sonny Rollins, the Colossus” in The Vibe, Raw and Uncut (reprint of interview published October 1996 in Vibe, with additional 2007 interview). New York: Vibe Street Lit, 2007.
  • “Miles Davis at The Casablanca, Buffalo, New York, September 21, 1955” in The Show I’ll Never Forget, edited by Sean Manning. New York: Da Capo Press, 2007.
  • “Jefferson Davis,” in American Monsters, 44 Rats, Blackhats, and Plutocrats, edited by Jack Newfield and Mark Jacobson. New York: Thunder’s Mouth Press, 2004.
  • “Color Blind,” an essay in Linda Brown, You are Not Alone: The Brown v. Board of Education Decision, edited by Joyce Carol Thomas. New York: Jump at the Sun, Hyperion Books for Children, 2003.
  • “My 1960s,” in Rediscovering America, the Making of Multicultural America, 1900-2000, written and edited by Carla Blank. New York: Three Rivers Press, 2003.
  • “America United,” a poem, in September 11, West Coast Writers Approach Ground Zero, edited by Jeff Meyers. Portland, Oregon: Hawthorne Books & Literary Arts, 2002.
  • “Another Day at the Front, Encounters with the Fuzz on the American Battlefield” in Police Brutality, an anthology edited by Jill Nelson. New York & London: W.W. Norton and Co., 2000.
  • “Future Christmas,” (excerpt from the novel The Terrible Twos), in Dark Matter, A Century of Speculative Fiction from the African Diaspora edited by Sheree R.Thomas. NY: Warner Books, 2000.
  • “Progress: A Faustian Bargain,” in How We Want to Live, narratives on progress edited by Susan Richards Shreve and Porter Shreve. Boston: Beacon Press, 1998.
  • “Bigger and O.J.,” in Birth of a Nation’hood: Gaze, Script, and Spectacle in the O.J. Simpson Case, edited by Toni Morrison and Claudia Brodsky Lacour. New York: Pantheon, 1997.
  • Untitled essay, in Swing Low, Black Men Writing. Edited by Rebecca Carroll. New York: Crown Trade Paperbacks, 1995.
  • “America: The Multinational Society,” in The Graywolf Annual Five: Multicultural Literacy, Opening the American Mind, edited by Rick Simonson & Scott Walker. Saint Paul: Graywolf Press, 1988.
  • “I Am a Cowboy In the Boat of Ra” and “beware : do not read this poem” in The Norton Anthology of Poetry. Arthur M. Eastman, Coordinating Editor with Alexander W. Allison, Herbert Barrows, Caesar R. Blake, Arthur J. Carr, Hubert M. English, Jr. New York: W.W. Norton & Company, 1970. (Begins with anonymous medieval lyrics that predate Chaucer; ends with Reed)

Introductions or Afterwords to other author’s works

  • Twain, Mark. The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. New York: New American Library, 2013.
  • Ali, Wajahat. The Domestic Crusaders. A play. San Francisco: McSweeney’s Books, 2010.
  • Wilson, August. Century Cycle. Introduction to the play Jitney. New York: Theatre Communications Group, 2007.
  • Chesnutt, Charles. The Colonel’s Dream. New York: Harlem Moon, a Doubleday imprint, 2005.
  • Anaya, Rudolfo. Bless Me, Ultima. Audio Guide: The Big Read. Institute of Museum and Library Services, National Endowment for the Arts, 2007.
  • Matlin, David. Inside the New America: From Vernooykill Creek to Abu Ghraib. Berkeley, CA: North Atlantic Books, 2005.
  • Wright, Charles. The Wig. San Francisco: Mercury House, NEA Heritage & Preservation Series, 2003.
  • Washington, Booker T. Up From Slavery. New York: Signet Classic, New American Library, 2000.
  • Schuyler, George. Black No More. New York: Modern Library Edition, 1999.
  • Cleaver, Eldridge. Soul on Ice. NY: A Laurel Book published by Dell Publishing, 1992.
  • Hurston, Zora Neale. Tell My Horse: Voodoo and Life in Haiti and Jamaica. Series Editor: Henry Louis Gates, Jr. New York: Harper & Row, 1990.

Scholarly articles

  • Black Scholar “Ralph Ellison and the Agony of the Token.” Volume 38 Number 1, Spring 2008.
  • Comparative American Studies “The Celtic in Us.” Special Issue on the Celtic Nations and African Americans. Volume 8 No. 4, December, 2010.
  • American Studies/Amerikastudien in “Ethnic Studies in the Age of the Tea Party.” Guest editors: Glenda R. Carpio and Werner Sollors Universitȁtsverlag Heidelberg: Volume 55, Number 4, 2010.
  • Modern Drama “Diminutive Playwright Tackles Criminal Justice Dragon.” University of Toronto Press, 2012.

Selected news media and other journals where essays, poetry, etc. has appeared in: Washington Post, New York Times, Baltimore Sun, Los Angeles Times, San Francisco Examiner, San Francisco Chronicle, Oakland Tribune, Philadelphia Inquirer, New York Newsday, Boston Globe, Wall Street Journal, Japan Times, Le Monde, Yale Review, Black Scholar, Black Renaissance Noire, San Diego Reader, American Journalism Review, Emerge Magazine, Essence Magazine, American Unte Reader, The New Yorker, The Paris Review, The Nation, Connoisseur, Time, Life, Ebony, Vibe, Modern Maturity, Playboy, Stone Canoe,,, Slate
Publications Honoring Reed

  • McSweeney Books’ chapbook 2011 Barbary Coast Award commemorative publication. Reflections on Reed from writers, musicians, journalists, and scholars, some of whom were his former students (November, 2011)
  • The Los Angeles Review Poems: “Bad Mouth” and “In A War Such Things Happen” are included in this issue dedicated to Ishmael Reed. (Volume 10, Fall 2011)

Magazine editor, 1972-present

  • Konch, online at www. since January, 1999 Konch, Volumes 1-9, print version, 1990-1999
  • Vines, international student anthology online at, 1999-2004
  • Quilt, Volumes 1-5, 1981-1986
  • Y’bird, 1976-1978 (with Al Young)
  • Yardbird Reader, Volumes 1-5, 1971-1976 (with Al Young)

Recorded Spoken Word and Music Projects with Lyrics by Reed

  • David Murray’s newest album, Be My Monster Love, features 3 new songs with lyrics by Ishmael Reed: with Gregory Porter singing “Army of the Faithful” and “‘Hope is a Thing with Feathers,’” and Macy Gray singing the title track, “Be My Monster Love.” (3D Family, 2013)
  • The Devil Tried to Kill Me with David Murray and Gwo Ka Masters. Reed lyrics featured on “Afrika,” sung by Taj Mahal; and Sista Kee singing the title track (Justin Time & 3D Family, 2009)
  • Sacred Ground. With David Murray and the Black Saint Quartet, featuring Cassandra Wilson singing 2 texts by Ishmael Reed, including the title track and “The Prophet of Doom. Selected for the 2008 Sundance Film Festival and PBS television. (3D Family & Justin Time, 2007)
  • For All We Know with the Ishmael Reed quintet, features David Murray (sax, bass clarinet and piano), and Carla Blank (violin), Roger Glenn (flute), Chris Planas (guitar), and Ishmael Reed (piano) on 9 jazz standards, and 3 original collaborations with text by Reed and music composed by David Murray, were first performed by Ishmael Reed on this privately produced CD. David Murray created different compositions for these Reed lyrics for the film and CD, Sacred Ground. (Ishmael Reed Publishing, 2007)
  • Conjure Bad Mouth With musical compositions set to texts of Ishmael Reed by Billy Bang, Anthony Cox, David Murray, Leo Nocentelli, Fernando Saunders, Yosvanni Terry, and vocal solos by Alvin Youngblood Hart and Fernando Saunders. (Produced by Kip Hanrahan on American Clavé, 2006)
  • Conjure: Cab Calloway Stands In For The Moon, (II), contains musical compositions set to Reed’s texts by various composers including Allen Toussaint, Don Pullen, Leo Nocentelli, Steve Swallow, Olu Dara, David Murray, Carman Moore and Kip Hanrahan. Vocals by Bobby Womack, Clare Bathe, Robert Jason, Fernando Saunders, and others. Produced by Kip Hanrahan for American Clavé in 1988 and reissued by Rounder Records, 1995
  • Conjure: Music for the Texts of Ishmael Reed (I), recorded following a live concert at Joseph Papp’s Public Theater in New York City. Compositions by Allen Toussaint, David Murray, Taj Mahal, Kip Hanrahan, Lester Bowie, Carla Bley, Steve Swallow, and Carman Moore, with vocals by Taj Mahal, Robert Jason, Olu Dara and others. Produced by Kip Hanrahan for American Clavé in 1984 and reissued by Rounder Records, 1995.

Collaborations with composers and musicians in live concerts (partial)

  • Conjure Tours:
    • St. Anna, Sardinia, Italy, August, 2012:  Sardegno e Jazz, jazz festival co-produced by Kip Hanrahan
    • Conjure in Concert. Performance at Joseph Papp’s Public Theater, New York City, with texts by Reed set to music by various composers that was the basis for the first Conjure album, recorded immediately after the concert, by all participants, in 1983. Produced by Kip Hanrahan
    • European Tour, 1993: including Amsterdam, Vienna, Hamburg, and Mainz. Produced by Kip Hanrahan
    • European Tour, April, 2003: Banlieuses Blues, Paris; the Barbican, London. Produced by 3 D Family
    • Tokyo, Japan, August, 2004: The Blue Note. Produced by The Blue Note
  • The Wild Gardens of the Loup Garou with poetry by Reed and Colleen McElroy and music by Carman Moore (1981, 1989)
  • Esprits D’ Afrique, Musee en Musique presented by and at Le Musée Dapper Produced by 3D Family. Paris, France, April 2002
  • Music and the Spoken Word for Peace” Collaboration with poems of Reed and his reading of Daisaku Ikeda’s poems, Knitting Factory, NYC, 04/17/04
  • Collaboration with violinist Billy Bang, Yoshi’s, Oakland, Ca. Nov. 15, 2004
  • “Fighting for Peace,” in collaboration with pianist Mary Watkins and Joyce Kouffman & Group. San Francisco Public Library, January 23, 2005
  • Jazz à la Villette, Grande Halle. Paris. Red Bull Music Academy World Tour. Concert by Macy Gray, Tony Allen, members of the Roots, David Murray and his Big Band, Amp Fiddler and Fela! singer/dancers. Premiere 3 new songs with lyrics by Ishmael Reed, September 11, 2011.
  • Ishmael Reed Quintet appeared twice at Yoshi’s and at the Barbary Coast Award event at Z Space in San Francisco, 2011

Public Art Installations, Film and Video Collaborations (partial)

  • 2010-2013 A collaborative public art installation work, “Moving Richmond,” for Richmond’s BART station, incorporates two of Reed’s poem, written for this project after meetings with Richmond residents, into a mounted iron sculpture by Mildred Howard.
  • 2012 United States of HooDoo, a documentary film by Oliver Hardt and Darius James, was released in Germany and premiered in August at the Black Star Film Festival in Philadelphia. Reed is a featured participant.
  • 2011 “beware do not read this poem.” Included in stone installation and audio recording by Rochester Poets Walk. Rochester, New York.
  • 2010 “The Groundbreaking Bill Gunn,” at BAM Cinematek, April1-4, featured a re-mastered “Personal Problems” (1980), the experimental soap opera conceived and produced by Ishmael Reed.
  • 2009-2010 A 1972 manifesto, “NeoHooDoo: Art for a Forgotten Faith,” inspired a major visual art exhibit, “NeoHooDoo: Art for a Forgotten Faith,” curated by Franklin Sirmans for The Menil Collection in Houston, where it opened June 27, 2008, and subsequently traveled to P.S. 1 Contemporary Art Center in New York City, and the Miami Art Museum through 2009. The Menil Collection also published “NeoHooDoo, Art for a Forgotten Faith,” edited by Franklin Sirmans, in 2008. Distributed by Yale University Press, it includes Sirmans’ interview with Ishmael Reed.
  • 2009 Michael Jackson. Britain: BBC Culture Show, in which Reed’s September interview at the Nuyorican Poets Café is featured in a December broadcast
  • 2008 Boogie Man: The Lee Atwater Story, directed by Stefan Forbes, premiered as a nationally distributed independent film that includes Reed in interview clips. Reed also participated in Q&A’s at its Mill Valley Film Festival showing and in New York City.
  • 2004 A bronze plaque of “Going East” installed in the Berkeley Poetry Walk in Berkeley, California, designated a National Poetry Landmark by the Academy of American Poets.
  • 1990 James Baldwin: The Price of the Ticket. Independent film, directed by Karin Thorsen, includes Reed in interview clips and reading from Baldwin’s work.
  • 1972 “from the files of agent 22.” Poem posted in New York City buses and subways by Poetry in Public Places, as part of a special project of the American International Sculptors Symposium, Inc.

Producer: Stage, Film and Video Productions

  • Personal Problems, a video soap opera directed by Bill Gunn; Concept by Reed, 1980.
  • A Word In Edgewise, a conversation with Al Young; Videographer, Allen Willis.
  • Savage Wilds, from the Nuyorican Poets Café production; Director, Rome Neal
  • The Only Language She Knows. 28 minute video. Two character drama with script by Genny Lim. Director, Carla Blank. Videographer, Allen Willis. World Premiere, East Bay Video Festival, Berkeley, CA., 1992.
  • Two-Fer. 41 minute video drama. Written and directed by Cecil Brown. World Premiere, San Francisco Black Film Festival, 2003; Berlin Film Festival, 2003.
  • The Domestic Crusaders. 2-act play by Wajahat Ali. Director, Carla Blank. Presented in SF Bay area staged readings April 30-May 2, 2004 at Mehran Restaurant in Newark, and Main Branch of the Oakland Public Library; showcase productions: Thrust Theatre (Berkeley Repertory Theatre), 7/2005, and San Jose State University Theatre, 9/2005. NYC premiere at the Nuyorican Poets Café, 9/11-10/11/2009. International premiere: 2010 MuslimFest, Mississauga, Canada. Millennium Hall, Kennedy Center, Washington, D.C., 11/14/10. Theater Festival participant in Art of Justice: 9/11 Performance Project at John Jay College of Criminal Justice, New York City, September 10-11. 2011.Since McSweeney’s publication of the script in 2011, the play has been studied and mounted in college productions throughout the U.S., and a new British production opens in London, in September, 2013, produced by TARA Arts, working with the U.S. State Department.

December 9, 2013 - Posted by | ART, CULTURE, HOLIDAY GUIDES, opportunity, We Recommend | , , , , , , , , , , , , , , , , , , , ,

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